Justice WhiteS Interpretation Of Tennessee State Law Essays

Justice White'S Interpretation Of Tennessee State Law CONCURRING OPINION: We concur with Justice Whites interpretation of Tennessee State law. However, we propose that more restrictive standards should be used by policemen when dealing with imminently dangerous circumstances. The necessity standard that White proposes for governing the use of lethal force strikes the right balance in regulating violence. He insists that the police act reasonably by evaluating whether the felons interest in life outweighs the states interest in seizing the felon by lethal force. Because we honor the supreme value of human life, lethal force should only be used when there is a reasonable belief that the felon poses a significant threat to the policeman or society. More restrictive standards of policing will minimize discretion and prevent unnecessary violence. The decision to impose death on a criminal should be left to the discretion of the judges rather than the police. A slight error in the judgement of the policeman can impose a death penalty on someone who does not deserve it. Furthermore, policemen can be driven to use lethal force because of personal biases and reluctance or incapability to seize the felon through non-violent methods. Whites standard is less restrictive than the standard governing self-defense and the death penalty. The doctrine of self-defense requires the presence of the four conditions- imminence, necessity, proportionality and no intent to punish- whereas Whites standard only requires necessity for the use of lethal force. Whites standard should be less restrictive than the standard of self-defense because the police have legitimate authority to use violence to maintain order and safety in society. Law asks us to be better than we would otherwise be. Hence the victim of self-defense is required to follow a very high standard before using any sort of violence. The standard of self-defense would be too rigid for the police to follow as it hinders them from performing their primary duty of protecting society. The conditions for imposing the death penalty require guided jury discretion and the fulfillment beyond a reasonable doubt of at least one of the ten statutory aggravating factors. The rules of the jurisprudence of death are different from any other rules of jurisprudence. This is because death is different. Death takes away a persons right to have rights. Discretion is essential for the effective functioning of law in controlling private violence and judging individuals subjectively. If discretion is expunged from the judicial system, then law would become an automatic gun and fail to take into account the totality of circumstances. However, police discretion should be limited because policemen must make quick decisions while jury discretion is far more calculated and logical. Whites standard allows for too much police discretion. By only using necessity as the standard for the use of lethal force, White gives too much leeway to the police. Police are hyper-sensitive to signs of suspicion. They rely on stereotypes and seek human beings at their worst. To be a policeman is to face the reality of facing danger every day. Because of these reasons, we cannot allow the police to use discretion under such a broad standard of necessity. Just fulfilling the standard of necessity before using lethal force undermines the supreme value of human life. It is better that ten criminals walk free than one innocent person be killed. Whites approach to the legal regulation of police is similar to his own approach in Brady v. United States but contradicts his approach in Miranda v. Arizona. In Brady, White also looks at the totality of circumstances to determine the voluntariness of a defendants plea of guilty. In both Brady and Garner, White realizes that law requires the exercise of judgement so that it does not become mechanical and impersonal. Regarding Miranda, White rejects the regulation of police discretion in interrogations, as it will only cause a loss of human dignity by limiting all confessions and returning the criminal to the environment that produced him. Thus, White implies that police regulation will only lead society into the abyss of anarchy. This contrasts sharply with Whites desire in Garner to regulate police conduct as a means of protecting the dignity of an individuals life, even if that individual is a criminal. White would concur with both Justice Burger

The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities

The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities Lacanian Psychoanalytic Theory and Art Introduction Importance of the issue Appreciating pieces of art is a great pleasure as it gives us time for imagining the personalized meaning of those objects through our own personal mirrors of our egos and minds. Sometimes, we try to find the meaning of what we see or hear with the help of our instinct or intuitive feeling beyond the logic and strict reasoning to understand the pictures or sculptures.Advertising We will write a custom coursework sample on The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities specifically for you for only $16.05 $11/page Learn More The same can be claimed about psychology and different theories that are aimed at explaining human desires and unconscious intentions. The perception of art objects can be understood with the help of applying Lacanian psychoanalytic theory to objects depicted and the way people usually understand those. As psychological interpretation of contemporary art suggests abundant sources for comprehending our experience on art, it is possoble to use Lacanian psychoanalytic theory to understand the essential aspects of postmodern artworks in terms of the concept of desire. The relation between the concept of desire according to Jacques Lacan’s theory and such aspects as what is shown, what is seen, and the way of perception in the objects of art are of the main focus of the current paper. Aim and scope The current paper is aimed at showing the number of different explanations that can be evoked by implementation of Lacanian psychoanalytic theory while observing and discussing the objects of art such as mixed media sculptures created in contemporary conditions with the help of modern materials, techniques and methods including postmodern tendencies. In particular, reviewing the works designed by Louise Bourgeois including Arch of Hysteria (1993) and Cell (Eyes and Mirrors) (1989-1993) an d Yayoi Kusama’s Infinity Mirror Room – Phalli’s Field (1965) and Narcissus Garden (1966) can demonstrate the most prominent features of Lacanian theory in these art objects regarding desire in postmodernities. The art objects mentioned above will be analysed in the current paper in accordance with the Lacanian psychoanalysis theory that includes such aspects as concept of mirror, phallocentrism, femininity, and mirror with regard to desire and psycho-sexual tendencies. Theoretical Background Lacanian Psychoanalytic Theory Lacanian psychoanalytic theory’s main purpose is to evoke hidden side of human mind, the unconscious, so that people could explain things that seem ambiguous or, on the contrary, obvious. The number of explanations of the unconscious desire can vary due to the background of every person involved in the process of discussion. For instance, certain events, either negative or positive, in the life of a person influence his/her perception o f self and individual desire in different ways.Advertising Looking for coursework on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More According to Lacanian theory of mirror stage in terms of personality development, the aspect of Narcissism is the shared feature of personal human desire. â€Å"The mirror stage is also closely related to narcissism†1 as the Greek myth dwells on the beauty of a young man who fell in love with his own reflection in the water. â€Å"Lacan develops Freud’s concept by linking it more explicitly with its namesake, the myth of Narcissus†2. The mirror image in early childhood serves to mould a self-image that is not actually a self-image, but an ideal one of what we want to be, and, consequently, it serves to set a psychological drive toward self-definition based on a imaginary structure forced by the identification with external social order. In this respect, Lacan’s theory d oes not focus only on biological aspect of mirror stage of psycho-sexual development; the mirror stage is suggested as the primary stage in the perception of a person that helps to conceive the real image from the self and from others. The scope of ideas on the concept of mirrors can be presented in a multivolume work whereas the main ideas can be found in the theory of psychoanalysis established by Jacques Lacan. Though Lacan’s theory has proven to be one of the most insightful interpretations of our time, some critics found explanation and analysis of certain concepts gender-oriented and discriminating. For example, French feminists Julia Kristeva and Helen Cixous have argued about the objectivity of presentation of concepts of phallocentrism made by prominent theorists, philosophers, and psychologists Jacques Lacan and the person influenced by Lacan’s ideas, Jacques Derrida. Female writers criticized Lacanian theory because it suggested lack of self in women making them penis-less creatures deprived of the ego and associated more as a part of the male essence. In this respect, Helene Cixous’s essay ‘The laugh of the medusa’ is aimed at discussing the influence of gender aspects on cultural life of people, art objects, and language in particular. The author dwells on the difference between cultural concepts and gender aspects that, as the author claims, should not be mixed with one another and with biological peculiarities of life.3 The more we try to tie the aspect of gender to other areas of human life, the less appropriate these concepts may become. Different problems with the perception of this or that idea or object of art can be the main reason for treating the phallocentric concepts as those discriminating femininity as a feature of the gender. Julia Kristeva suggests the idea of â€Å"drives [that] involve pre-Oedipal semiotic functions†4; this statement can be considered one of the most appropriate ideas for discussion with regard to desire and drives in the process of analysing the objects of art.Advertising We will write a custom coursework sample on The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities specifically for you for only $16.05 $11/page Learn More Phallocentrism is defined here as irrelevant panegyric on make sexual organ and behaviour of male representatives associated with their attitude to this organ as well. In this respect, the desire related to the objects of art can be found in the issue of glorification of the male sexual organ. The more theories try to approach the concept of the mirror, the more ideas appear in the process of analysis even on the simplest phenomena that did not suggest that many explanations of a specific term before. In this respect, it is necessary to emphasise that Lacanian psychoanalytic theory is aimed at provoking human thoughts on different subjects as a person wh o knows about the suggested concepts would use those ideas while analysing the objects of art. For instance, Jacques Lacan introduced a concept of mirror and explanation of the function of the unit I as suggested in psychoanalytic practice. His work â€Å"Mirror stage as formative of the function of the I as revealed in psychoanalytic experience† demonstrates the inner stage that is suggested to analyse as the initial condition or a ‘mirror’ as the inner reflection of all actions performed by a person. This mirror is treated as a specific place or an object used for analysis of actions, behaviour, and deeds by a person; such a self-analysis and counter-analysis are used for signification and counter-signification of the self.5 This concept was not critically perceived by female writers Cixous and Kristeva because it was not treated as the one that is posted against the femininity, female concepts, and feminine gender in general though the concept of mirrors helps to assess the role of desire in the analysis of the self. Desire in Postmodernities Postmodernism is a movement in art and architecture that can be considered one of the most influential trends in twentieth century due to its simplicity and complicatedness at the same time. Though different styles in art can be claimed to have found their application in culture, postmodern movement had a prominent impact on the architecture and art objects. As suggested by Tobin Siebers in his book Heterotopia: postmodern utopia and the body politic, the postmodernities can be compared to desire that cannot be explained and understood completely.6 On the other hand, it is necessary to trace the real meaning of postmodern art objects that can be insightfully explained using psychological analysis theories aimed at explaining human desires, fears, and intentions.Advertising Looking for coursework on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More The analysis of the self can be performed through the use of mirrors that represent the relations between what a person wants to show and others want to see or are able to see. Besides, as suggested by Jacques Lacan, the desire can be clearly understood after analysis of the body: Fragmented body is analysed in terms of the desires and fears and the hidden intentions behind the reflection of different parts of the human body.7 Most postmodernists are sceptical of the concept, ‘certainty’ or ‘authentic truth’ because the function, meaning, and symbolic value are varied in the context or situation; the same can be traced in psychoanalysis where every detail is thoroughly examined to trace the connection between the desire and images usually reflected in the inner mirror. Though every object of art can be analysed in a different way, there is a number of traits that can be traced in most of them with regard to the gender of the author, the inner reflection of the actions, and attitude to the self, and other concepts that can be easily found in psychoanalytic theory established by Jacques Lacan. So, the objects of art created with regard to the tendencies and concepts established for postmodernities can be easily analysed with the help of Lacanian psychoanalytic theory designed merely at the same time as the postmodern movement. In this respect, it is possible to apply the concepts of psychoanalysis such as self-criticism by Freud8 to the objects of art designed by contemporary authors due to the background of authors and their reflection of the self in those art objects. Position of Theory to the Art Object Louise Bourgeois, Arch of Hysteria, 1993 The first object of art that should be analysed with regard to the concept of desire in postmodernities and the basic concepts revealed in Lacanian psychoanalytic theory is the one designed by Louise Bourgeois. This piece of art was created in 1993; the Arch of Hysteria can be considered one of the most feminine and delicate works created by this author.9 At the same time, it is powerful demonstration of the human body. And the name of the sculpture created using polished patina on the hanging piece made of bronze talks for itself. The attack of hysteria makes people change the positions of their bodies. The same can be traced when a person experiences some strong emotions or feelings and is not able to control the movements, gestures, and emotions expressed on his/her face. Every attack of hysteria can be depicted in another way because every individual has his/her own reflection of the self and is able to analyse the self using the inner mirror. The discussion of femininity is related to the ideas the author of this object of art found relevant due to the feminism movements and active involvement in those.10 The author manages to create her works without being too gender-discriminating toward the representatives of the opposite sex. Moreover, her work Arch of Hysteria ( 1993) can be considered the one that makes the male body the core concept of the overall image created. In this respect, the idea of phallocentrism vigorously criticised by Cixous and Kristeva can be easily traced in this particular object. Moreover, the body hanging in the air can be analysed using the concept of fragmented body with regard to the wholeness of the subject, totalization and autonomous self. In other words, the concept of desire in postmodernities can be explained with the help of this sculpture that seems to be aimed at dethroning the power of the male body by making it more feminine with the help of hysteria that was considered a female disease. Every person has certain secrets whereas all hidden desires and intentions can be revealed with the help of the psychoanalysis suggested by Lacan who based his theory on the concepts explained and analysed by Sigmund Freud. The main idea of the current object of art can be considered the real human emotion captured in the e arthly body while every gesture and movement made by the person helps to reveal this emotion and explain the reasons for experiencing it. In the same way, every person can be read as a book with the help of Lacanian psychoanalytic theory when every image, dream, or idea is the result of some events and situations that took place in the life of this person; the same events and situations can be treated as the reasons or causes of other events. The concept of desire can be considered the core idea of every piece of art because every author has certain desires and intentions and can use those as inspiration while designing the object of art. Moreover, the sexual desire can be traced in every art object that is aimed at reflecting the author’s intentions through the presentation of the human body. Louise Bourgeois, Cell (Eyes and Mirrors), 1989-1993 The next object of art is designed by the same author. This creation is represented through the cell which contains specific eyes an d mirrors. In this respect, it is necessary to trace the meaning transferred with the help of those objects to the meaning of the whole piece of art.11 The more different objects we introduce to the piece of art, the more complicated it becomes. The complicatedness of the object can be traced through the number of meanings attributed to every object it contains. In other words, the meaning of this Cell (Eyes and Mirrors)12 should be analysed with regard to the meaning of cell, eyes as parts of the human body, and mirrors and the concept of desire in postmodernities. It is possible to analyse every concept in turn and, after that, try to explain the meaning of the whole object of art bearing in mind the meaning of each separate object that is included in the structure. For instance, the work of art Cell (Eyes and Mirrors) designed by Louise Bourgeois in 1989-1993 can be analysed as a set of objects each having its own meaning and contributing to the meaning of the entire object. As e very object can have meanings with regard to the context, it is necessary to analyse the possibility for occurrence of meanings and the number of meanings that can depend on different factors. In other words, the background knowledge and situations that occurred in the life of a person prior to observation of a concrete object of art should influence his/her perception of this work. So, cell can be considered as the limitation or restriction imposed on a person by his/her parents, friends, or supervisors. Besides, certain prohibition can be treated as the reason for author to use such an object in the overall construction. If a person had no negative experience related to the image of a cell, this work of art would not evoke any negative emotions. The concept of eyes in combination with mirrors represents the reflection of the ideas with the help of mirrors. In addition, this combination can be treated as the desire of the author to show the audience something hidden in her inner se lf which can be seen only through the eyes. Thus, the eyes reflected in mirrors suggest a hidden desire of the author to reveal her hidden feelings or something she cannot say aloud. Another idea that comes to mind while looking at this object of art created by a woman is the female aspect of this work. In this respect, it is necessary to remember about the concern of all women about their look. As they often look in the mirror, they can see something that cannot be seen without a mirror. In other words, the mirror can be used as an instrument to show and see something mysterious or at least something that cannot be seen without this magical device. The desire to say something can be treated as the core concept of this work because mirrors and reflections can often say something a person is afraid to reveal to him/herself or is confused about the consequences of such information transferred to a stranger. Masks and disguise contribute greatly to the overall image of the object of ar t called Cell (Eyes and Mirrors) designed by Louise Bourgeois in 1989-1993 because it is a feature of most women to have many identities and play many roles while only a mirror can reflect the real image of a woman. Yayoi Kusama, Infinity Mirror Room – Phalli’s Field, 1965 It is necessary to mention that the object of art designed by Yayoi Kusama, Infinity Mirror Room – Phalli’s Field created in 196513 can be considered one of the most original objects of art designed under the influence of postmodern trends and technologies. This work can be easily analysed applying Lacanian psychoanalytic theory to practice because mirrors play the core role in this work. The more a person reflects on his/her self image in the mirror, the more he/she is likely to change in the inner world to adjust to the conditions of the outer world. On the other hand, it is possible that a person changes the inner world to have it as a shelter from the oppression and all negative fac tors that exist in the outer world. In this respect, it is possible to treat the mirrors as an instrument for initiating self-analysis. As suggested in the work by Peter Gay who analyses Freudian theory of psychoanalysis, â€Å"The physician should be opaque to the patient and, like a mirror, show nothing but what is shown to him.†14 For Lacan, however, mirror image has some deceiving aspects that alienate human from the real self by representing the Narcissistic illusion of self-autonomy. In this regard, the mirror in the Kusama’s work is the place for searching human identity on the dialectical relationship between ‘seeing and to be seen’. Lacan’s key concept regarding the mirror stage is for challenging the integrated identity that reflects human’s narcissistic desire for wholeness, totalitarian or self-autonomy which we should overcome to be mature. In addition, he thought integrated identity to be illusion of synthesis which is not reall y existent in the real world. For Lacan, human is in fragmented body in the real world and the fragmented body refers not only to images of the physical body but also to any sense of fragmentation and disunity. The life in society can be considered another influential feature in creation of this object of art due to postmodernities with regard to desire and values typical of times and cultures; many identities are reflected in the mirror and it is up to a person to see or not to see them. The objects on the floor of the mirror room can be treated as obstacles for analysis because the roles we play in the everyday life can differ greatly from what we are and who we are because of the necessity to adjust to the conditions of the outer world. Besides, the society that we live in often imposes the roles on its members in order to protect itself from misunderstandings. This aspect can be regarded as a great obstacle for analysis of a person, his/her real desires, fears, intentions, and b eliefs. In addition, the efforts of a person to take away those obstacles can be considered unavailing because the mirror room is closed whereas all objects are inside it and there is no way out except the door. It is possible that the only way to walk through the door is to recognise the reflection in the mirror and confront the uneasiness of the fragmented body in the number of identities assigned by contemporary life. Yayoi Kusama, Narcissus Garden, 1966 The next object of art for analysis is the mixed media Narcissus Garden created by Yayoi Kusama in 1966.15 The author managed to use the reflection received while looking in the water. This object consists of a pond and silver balls in the water. These balls are light enough not to drown while their reflection in the water can be treated as the reflection of each person in the mirror in the previous work of art. As suggested by Sigmund Freud in his study ‘On Dreams’, every dream has specific content16 that can be ana lysed. Moreover, every object depicted in the dream has a specific meaning with regard to the situation in which it appears. In this case, the balls that can be seen on the water surface can reflect the desire of a person to swim opposed to the possibility of drowning. Every object that can be analysed can be influential in terms of hidden desires or fears that can be revealed in the process of analysing those dreams. Though some dreams may seem strange, it has some points to try to analyse each of them in order to see the real nature of the soul. The pond with silver balls can be associated with a desire to see the number of identities. If a person reflects the pond with silver balls in the object of art, she may have some problems with self-identification. In other words, a person that experiences difficulties with analysis of the self can try to reflect those problems in this way. For instance, the number of balls can correspond to the number of identities or roles a person has i n everyday life and uses those while communicating with colleagues, building relationships in the family, and other situations. However, the surface of the water shows everything that is reflected while some reasons can be found for this. In this case, the balls are reflected in the outer world while an inner mirror is situated in the inner world. In this respect, the number of identities will be reflected in the water every time. Every identity has its own reflection in the outer world as well as every person can find his/her reflection in the mirror being a parent, a friend, or performing some other roles. In this respect, an inner mirror of the ego should show our Narcissistic desire towards independent entity. Every concept of life can be reflected in the inner world whereas it depends upon a person whether to let certain concepts into the inner world or leave those outside. As the personal life of every individual is full of certain events, all those events can influence succes sive events and the condition of the inner worlds. Thus, a reflection in the inner mirror can distorted due to the impact of all events that take place in the life of a person. The pond with silver balls can also be treated as the outer world with all its imperfectness and obstacles that appear on the way of a person when he/she wants to look at the Narcissistic reflection on self but can only see the numerous identities. Every identity can be reflected in the mirror of the outer world though it is up to a person whether to let those identities into the inner world to be reflected in the inner mirror. Conclusion The concept of self, reflection in the mirror, the number of identities and roles assigned to every person, feminism and male sexual organs can be traced in the objects of art. As the theory of Lacan is mainly based on the theory established by Sigmund Freud, it is necessary to mention the significance of his study for analysis of sexuality and gender differences. The Arch o f Hysteria reflects the power of human body whereas it can be treated in a different way when applying Lacanian psychoanalytic theory to it. In this respect, a human body can be considered the symbolic representation of human desires reflected with the help of postmodernism trends. Female critics of Jacques Lacan’s theory do not blindly criticise his theory; they try to see the discrimination of identity of woman in the analysis through rejection of the phallocentrism as a core aspect of most psychological analyses. In other words, Helene Cixous and Julia Kristeva apply Lacan’s psychoanalysis as the assessment of sexual features, desires (often sexual), and fears related to the gendered self. Lacan’s theory of the mirror stage demonstrates that our self-identification is based on an illusion of an idealistic image of completeness that does not actually exist in the real. And the imaginary identity created by the co-operation between Narcissistic desire and exter nal forces is subject to the fragmentation of identity in reality. Thus, the ideal-I acts in similar way as Sigmund Freuds ego in that it prevents this fragmentation from emerging to the surface. The main aspect that can be traced in the objects of art such as Cell (Eyes and Mirrors) by Louise Bourgeois and Infinity Mirror Room – Phalli’s Field and Narcissus Garden designed by Yayoi Kusama is the mirror and reflection of the self including the further analysis of the self. Bourgeois, Louise, Arch of Hysteria, [online image] (1993) http://t3.gstatic.com/images?q=tbn:ANd9GcQRGEe1PLNugRKw3A0wrsF-QJ0ToBCWwxChuVJBZaD9kHtzGB4n. Bourgeois, Louise, Cell (Eyes and Mirrors), [online image] (1989-1993) http://t2.gstatic.com/images?q=tbn:ANd9GcTWZbxfX_D-a19F-BU-6qNXKuCzeq4PmfOWm-A44JWo3bLL0xlv. Cixous, Helene, ‘The laugh of the medusa’, in Peter Simon (ed.), The Norton anthology of theory and criticism (London: W. W. Norton Company, Inc., 2001), 2039-2056. Evans, Dy lan, An introductory dictionary of Lacanian psychoanalysis (London: Routledge, 1996). Freud, Sigmund, ‘On dreams’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in theory: 1900-2000 (Oxford: Blackwell, [1901], 2003), 21-28. Freud, Sigmund, ‘The ego and the id’, in James Strachey et al. (tr. and ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 19, London: The Hogarth Press Ltd., [1923], 1961), 19-27. Gay, Peter, Freud: a life for our time (New York: W. W. Norton Company, 1998). Kristeva, Julia, ‘Revolution in poetic language. The semiotic chora ordering the drives’, in Peter Simon (ed.), The Norton anthology of theory and criticism (London: W. W. Norton Company, Inc., 2001), 2169-2179. Kusama, Yayoi, Infinity Mirror Room – Phalli’s Field, [online image] (1965) http://t0.gstatic.com/images?q=tbn:ANd9GcRtQ3bAAobkC0QnwZtBuVzQL2ieaGFxl_mTK1FU-DchCGMZ7H5XwA. Kusama, Yayoi, Narc issus Garden, [online image] (1966) http://t1.gstatic.com/images?q=tbn:ANd9GcTddGjC-EAyMHoj4Salu9YK7fhi6DL090HXcblqqK2pTLiHkeh-. Lacan, Jacques, ‘The mirror stage as formative of the function of the I as revealed in psychoanalytic experience’, in Peter Simon (ed.), The Norton anthology of theory and criticism (London: W. W. Norton Company, Inc., 2001), 1285-1310. Lacan, Jacques, ‘The mirror-phase as formative of the function of the I’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in theory: 1900-2000 (Oxford: Blackwell, [1966], 2003), 620-624. Nixon, Mignon, Fantastic reality: Louise Bourgeois and a story of modern art (MIT Press/October Books, 2005). Nixon, Mignon, ‘The she-fox: transference and the â€Å"woman artist†Ã¢â‚¬â„¢, in Carol Armstrong and Catherine de Zegher (eds.), Women Artists at the Millennium (Cambridge, Mass.: MIT Press/October Books, 2006), 275-303. Siebers, Tobin, Heterotopia: postmodern utopia and th e body politic (Lansing: University of Michigan Press, 1994). Footnotes 1 Dylan Evans, An Introductory Dictionary of Lacanian Psychoanalysis (London: Routledge, 1996), 119. 2 Ibid., 123. 3 Helene Cixous, ‘The Laugh of the Medusa’, in Peter Simon (ed.), The Norton Anthology of Theory and Criticism (London: W. W. Norton Company, Inc., 2001), 2039-2056 at 2039. 4 Julia Kristeva, ‘Revolution in Poetic Language. The Semiotic Chora Ordering the Drives’, in Peter Simon (ed.), The Norton Anthology of Theory and Criticism (London: W. W. Norton Company, Inc., 2001), 2169-2179 at 2172. 5 Jacques Lacan, ‘The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience’, in Peter Simon (ed.), The Norton Anthology of Theory and Criticism (London: W. W. Norton Company, Inc., 2001), 1285-1310 at 1288-1289. 6 Tobin Siebers, Heterotopia: Postmodern Utopia and the Body Politic (Lansing: University of Michigan Press, 1994), 2. 7 J acques Lacan, ‘The Mirror-Phase as Formative of the Function of the I’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in Theory: 1900-2000 (Oxford: Blackwell, [1966], 2003), 620-624 at 622. 8 Sigmund Freud, ‘The Ego and the Id’, in James Strachey et al. (tr. and ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 19, London: The Hogarth Press Ltd., [1923], 1961), 19-27 at 33. 9 Louise Bourgeois, Arch of Hysteria, [online image] (1993) http://t3.gstatic.com/images?q=tbn:ANd9GcQRGEe1PLNugRKw3A0wrsF-QJ0ToBCWwxChuVJBZaD9kHtzGB4n. 10 Mignon Nixon, Fantastic Reality: Louise Bourgeois and a Story of Modern Art (MIT Press/October Books, 2005). 11 Nixon, Mignon, ‘The She-Fox: Transference and the â€Å"Woman Artist†Ã¢â‚¬â„¢, in Carol Armstrong and Catherine de Zegher (eds.), Women Artists at the Millennium (Cambridge, Mass.: MIT Press/October Books, 2006), 275-303 at 277. 12 Louise Bourgeois, Cell ( Eyes and Mirrors), [online image] (1989-1993) http://t2.gstatic.com/images?q=tbn:ANd9GcTWZbxfX_D-a19F-BU-6qNXKuCzeq4PmfOWm-A44JWo3bLL0xlv. 13 Yayoi Kusama, Infinity Mirror Room – Phalli’s Field, [online image] (1965) http://t0.gstatic.com/images?q=tbn:ANd9GcRtQ3bAAobkC0QnwZtBuVzQL2ieaGFxl_mTK1FU-DchCGMZ7H5XwA. 14 Peter Gay, Freud: A Life for Our Time (New York: W. W. Norton Company, 1998), 111. 15 Yayoi Kusama, Narcissus Garden, [online image] (1966) http://t1.gstatic.com/images?q=tbn:ANd9GcTddGjC-EAyMHoj4Salu9YK7fhi6DL090HXcblqqK2pTLiHkeh-. 16 Freud, Sigmund, ‘On dreams’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in theory: 1900-2000 (Oxford: Blackwell, [1901], 2003), 21-28 at 21.

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Green Intelligence - Essay Example accountability, organizations are finding that success is increasingly being measured not only by financial performance, but also by ecological and social accomplishments as well† (p.3). This is what is now called as the green intelligence. Green intelligence is the development of strategies and methods of developmental practices that promote social or national growth while trying to sustain the health of the ecological system. The goal of green intelligence is to meet the new energy needs and product demands of a consumer society that is becoming more aware of the ever-present problems in the environment. The development of this practice may not save what has already been destroyed in the environment, but it can help greatly in preventing further damage. The study made by the PricewaterhouseCoopers (2008) found that â€Å"consumer demand for green technology products is on the rise. Government customers are increasingly mandated to purchase green where available, and the spectrum of products covered by such provisos is growing† (p.51). If various major governments and private sectors adopt the green intelligence a core goal and as part of their methods and practice, then it could make up for all the environmental damage that has been done for the past

State of Maryland Research Paper Example | Topics and Well Written Essays - 750 words

State of Maryland - Research Paper Example This technology may play a great role in better treatment of a person. It has improve the worth, protection and competence of medical records. The EHR has eliminated the effects of illegible handwriting of the doctor or other staff. One does not have to face any difficulty while reviewing the patient’s record, because all the information is clear and to the point. To enter the data in the EHR the patient have to fill a form that is downloaded to the EHR. The patient’s record is updated with every visit he makes. The result of the laboratory tests any other related diagnosis are too updated with time. Also if the patient admitted in the hospital and its discharge summaries are also noted down in the record. One can also create graphs of the patient’s blood pressure level within specific time interval, its increase or decrease in weight, height, etc. (Leading EHR Solutions from Sentinel Health, 2013) This program can save so much time, as one doesn’t have to look all through the files and find a patient’s record; it’s just a click away. The patient’s whole medical history can be accessed through the computer in the hospital, within seconds. This can help the physician to study in detail the patient’s health care history, for their better treatment. Maryland was the first state to reward incentive to the health care institutions, who are effectively implementing the use Electronic Health Record. House bill 706 (electronic health records regulation and reimbursement) was passed, as the result of which â€Å"EHR incentive program† came into being. (Electronic Health Records , 2012). The EHR incentive program gives incentives to those hospitals and professionals, who understand, implement and exhibit the correct use of the EHR program. These incentives are distributed to encourage the use of EHR in the medical and professional field. (EHR incentive program, 2012). This incentive program is available for

Why Was The Weimar Republic Unpopular Essay Example for Free

Why Was The Weimar Republic Unpopular Essay Why was the Weimar Republic unpopular in the years 1919-1923? Josef Wines The Weimer Republic was unpopular between the years 1919 + 1923 because of their democratic approach to government. They were not liked by the Germans because they were thought to have been ‘stabbed in the back ´ after they agreed to sign the Treaty of Versailles. Some of the reasons why the Weimer Republic was disliked were that Germans believed that by signing the Treaty, Ebert’s government had betrayed Germany. The Treaty of Versailles stated that Germany was not allowed an air force, the army had to be reduced to 100,000 men only and Germany was forced to pay reparations of  £23 billon. Also Germany had to give up 10 per cent of its land; all of its overseas colonies and 16 per cent of its coal and 48 per cent of its iron industry. Signing the Treaty meant that Germany had to accept its defeat. The loss of overseas territory meant the dismantling of the German empire and the loss of Germany’s status as a superpower. The loss of colonies took away the German pride and hurt both emotionally as well as financially.Due to all these loses, the Germans got very angry and rebelled against its government. There were many groups who rebelled against the Weimer Republic but the mainones were the Spartacus League and the Kapp Putsch. The Spartacus League was a communist party which was inspired by the Russian revolution in 1917. They wanted a communist state in which everyone is equal. They were led by Karl Liebknecht and Rosa Luxemburg. The Spartacists main purpose was that they wanted Germany to be ruled by the workers council or the soviets.Early in the 1919 some anti-communist ex-soldiers formed themselves into a vigilante group called the Freikrops. Soon the Sparticists and the Freikorps fought bitterly and the Sparticists leaders were murdered. Ebert’s government faced yet another problem. In March 1920 a right wing opponent had challenged Ebert. These opponents were mainly people who had grown fond of Kaiser’s dictation and wanted Germany to have a stronger and bigger empire but this was destroyed by Ebert signing the Treaty and  changing Germany into a capitalist country. Dr Wolfgang Kapp led 5000 Freikorps into Berlin known as the Kapp Putsch. Germany’s army had refused to fire at the Freikorps but soon the Weimer Republicwas saved by industrial workers of Berlin who declared a strike which meant no transport, power or water into the capital. Within a few days, Dr Wolfgang Kapp realized his defeat and left the country. In January 1923, Germany failed to make a reparations payment on time causing France to invade Ruhr. This humiliated the government, which ordered a general strike, and paid the strikers by printing more money causing hyperinflation. Also between the evening of 8th November and early afternoon on 9th November, the National Socialists German Workers Party unsuccessfully tried to seize power in Munich and Bavaria. In conclusion, I think that the Weimer Republic were unpopular between the years 1919 + 1923 mainly because of the government agreeing to sign the Treaty which instigated rebellion and caused a chain of events.

Auctioning Personal Property :: essays research papers

The sale at public auction of personal property in the United States has a rich history and has been successfully used for three centuries. Auctions are one of the best businesses and are ranked in the top ten businesses in the world to sell personal property. Auctions are the best way to liquidate your property, sell your personal property and to get cash in your pocket.First of all, auctions can help you liquidate or downsize personal property, such as furniture, clothes, automobile and jewelry. Instead of throwing unwanted goods away call an auction house to sell it for you. You never know what you might be throwing away that can be turn into cash. Another good reason to auction is personal property will bring the highest market price at the auction through competitive bidding. This is when two or more persons who want the same item and keeps bidding the price up until it reaches a fair market value. By law you most have a least two persons present to conduct an auction. Then the highest bidder buys it for the final bided price.In advertisement for auction houses that catches must people eyes is to get fast cash selling personal property. The advertisement means just that you can get money within fourteen days or less after the auction house sells your personal property.   Ã‚  Ã‚  Ã‚  Ã‚  The auction business has been around for a long time with a good track record for selling anything that has a price or doesn't have a price. Through statistics, the price of all property is set from a fair market value in which auctions control sixty five percent of today's prices on all property. So why not get the most out of personal property by selling it at the auction? An individual has to read the contract that the auction house writes because it could read that they might not get paid until the last item of their personal property gets sold. Some auctioneers are known for keeping back one of two items from an individuals personal property back until they have their next sale. This way an auction doesn't have to pay the individual until the following sale or when the last piece off property was sold. Make sure in the contract that it has a date that all personal property will be sold by.

Business: It’s Nature and Environment Essay

Offering a unique look at interior design, Materials and Components of Interior Architecture, Seventh Edition fully covers the nonstructural materials available to interior designers. With an eye on the environment, it provides a firm understanding of the products, properties, and uses of all materials, from floors, walls and ceilings to installation, and recycling. Going beyond paint and carpet, it explores over 27 different floorings and devotes separate chapters to kitchens and baths. Filled with  the latest information provided directly from the suppliers, it helps readers think knowledgably and creatively about the â€Å"nuts and bolts† of interior design—both in terms of structure and style. With an eye on the environment, it provides a firm understanding of the products, properties, and uses of all materials, covering everything from floors, walls and ceiling to installation, and recycling. Progressing from the ground up—literally—it looks beyond the more decorative aspects of design to study the properties and uses of both finishing materials in the design field and structural materials in the architectural field. For interior designers and specifiers. Book Description The fourth edition of STRATEGIC LOGISTICS MANAGEMENT is an excellent balance of theory and practical application and continues to include state-of-the-art logistics information and technology. This is one of the few books to have a view of logistics from a marketing perspective. In  addition, it integrates the areas of logistics, marketing, finance, accounting, technology and manufacturing. Extensive coverage of customer satisfaction, global issues, and accounting/finance issues are incorporated throughout the text as well as in separate chapters. Examples of â€Å"real world† illustrations of concepts are also included in each chapter. This book has been extensively revised and updated in the areas of technology, global coverage, and transportation. From the Author A number of important topics not covered in many other logistics texts, or covered only superficially, are given significant treatment in this book, including: supply chain management, measuring and selling the value of logistics, order processing and management information systems; e-commerce and the Internet; reverse logistics and packaging; financial control of logistics performance; logistics organizations; and global logistics. Our goal in covering these topics in addition to the traditional activities is to provide readers with a grasp of the total picture of logistics within the context of supply chain management processes. There are a number of worthwhile improvements in the fourth edition. We have included many more references and examples from general business and other literature because of the impact of logistics on a variety of business processes. This edition covers the academic and trade literature in the area of logistics extensively, and includes the most up-to-date information and examples. Readers will notice the significant number of citations from the year 2000. We have retained those elements that are â€Å"timeless† and those that made the previous editions successful. About the Author James R. Stock  is Professor of Marketing and Logistics at the College of Business Administration, University of South Florida. Dr. Stock held previous faculty appointments at Michigan State University, University of Oklahoma, and the University of Notre Dame. From 1986 to 1988 he held the position of Distinguished Visiting Professor of Logistics Management, School of Systems and Logistics, at the Air Force Institute of Technology, Wright-Patterson  Air Force Base. Dr. Stock is the author or co-author of over 90 publications including books, monographs, articles, and proceedings papers. He is author of Development and Implementation of Reverse Logistics Programs and Reverse Logistics; co-author of Distribution Consultants: A Managerial Guide to Their Identification, Selection, and Use; and co-author of Fundamentals of Logistics Management. He currently serves as editor of the International journal of Physical Distribution and Logistics Management. He received the Armitage Medal (1988) f! rom the SOLE—The International Society of Logistics in recognition of his scholarly contributions to the discipline. His areas of expertise include reverse logistics, supply chain management, and the marketing-logistics interface. He has lectured on various logistics topics throughout Europe and Africa. Dr. Stock holds BS and MBA degrees from the University of Miami (Florida) and the Ph.D. from The Ohio State University. Douglas M. Lambert  is the the Raymond E. Mason Professor of Transportation and Logistics and Director of The Global Supply Chain Forum, Fisher College of Business, The Ohio State University. He is also the Prime F. Osborn III Eminent Scholar Chair in Transportation, Professor of Marketing and Logistics, and Director of The International Center for Competitive Excellence at the College of Business Administrati on, University of North Florida. From 1983 to 1985 he was PepsiCo Professor of Marketing at Michigan State University. Dr. Lambert has served as a faculty member for over 500 executive development programs in North America, South America, Europe, Asia, and Australasia and he has given more than 100 presentations to professional associations around the world. He is the author of The Development of an Inventory Costing Methodology, The Distribution Channels Decision, The Product Abandonment Decision and co-author of Management in Marketing Channels, Fundamentals of Logistics Management, Str! ategic Logistics Management, and Supply Chain Directions for a New North America. He has authored or co-authored more than 150 publications. In 1986 Dr. Lambert received the Council of Logistics Management’s Distinguished Service Award, â€Å"the highest honor that can be bestowed on an individual for achievement in the physical distribution/logistics industry,† for his contributions to logistics management and has also received CLM’s Founders Award (1997) and Doctoral  Research Grant (1975). He holds an honors BA and MBA from the University of Western Ontario and a Ph.D. from The Ohio State University. Dr. Lambert is co-editor of The International Journal of Logistics Management.